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0 · the architecture of chanel
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5 · chanel miami architecture
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Gabrielle Chanel claimed rue Cambon as her territory and arranged her 18th . The Architecture of Chanel, Marino’s oversized, richly illustrated new book with Phaidon, highlights 16 of the buildings born out of this alliance, from New York to Tokyo.
Gabrielle Chanel claimed rue Cambon as her territory and arranged her 18th century building to suit her needs. The boutique occupied the ground floor, while the large reception room on the first floor was used to present her collections and hold fittings for Haute Couture dresses and suits. The Architecture of Chanel, Marino’s oversized, richly illustrated new book with Phaidon, highlights 16 of the buildings born out of this alliance, from New York to Tokyo. The Miami space, which melds artistic director Virginie Viard's idea of the brand with Marino's own, leverages the mood of the city with a white stucco facade and several large, irregular-shape.For CHANEL’s flagship in Hong Kong, Marino wrapped the building facade in a LED skin. How do we see that approach in your latest project, the boutique in Miami Design District, which opened in December during Art Basel?
This highly anticipated outpost embodies the archetypal Chanel aesthetic, pairing the smooth white stucco façade of a two-story, cubed structure with contrasting black detail, and drawing customers into a gallery-like space that places Chanel items alongside striking works of . Materials for the pavilion include: a façade constructed from fibre re-inforced plastic, the roof PVC, ETFE roof lights, the primary structure was created from 74t steel and has over 1752.
An artisan at work in 19M, Chanel’s sprawling new structure on the edge of Paris. The glass, iron and concrete complex was designed by the French architect Rudy Ricciotti. Dmitry Kostyukov for. It takes but a glance to get the unmistakable allusion to high fashion: Angled panels of shimmery white marble, framed by blackened steel on the facade of Chanel in Istanbul, are the architectural equivalent of Coco Chanel’s white pleated blouses. One of Marino’s favorite buildings — on Bağdat Street in Istanbul — boasts a white, marble facade that echoes the pleated silk blouse Chanel wore at her first Communion. The lava rock continues around the front facade, but quickly transitions to gray stone. Photo: Tim Franco / Courtesy of Chanel. Inside the 19,698-square-foot space, the color palette is expanded.
Gabrielle Chanel claimed rue Cambon as her territory and arranged her 18th century building to suit her needs. The boutique occupied the ground floor, while the large reception room on the first floor was used to present her collections and hold fittings for Haute Couture dresses and suits. The Architecture of Chanel, Marino’s oversized, richly illustrated new book with Phaidon, highlights 16 of the buildings born out of this alliance, from New York to Tokyo.
The Miami space, which melds artistic director Virginie Viard's idea of the brand with Marino's own, leverages the mood of the city with a white stucco facade and several large, irregular-shape.For CHANEL’s flagship in Hong Kong, Marino wrapped the building facade in a LED skin. How do we see that approach in your latest project, the boutique in Miami Design District, which opened in December during Art Basel? This highly anticipated outpost embodies the archetypal Chanel aesthetic, pairing the smooth white stucco façade of a two-story, cubed structure with contrasting black detail, and drawing customers into a gallery-like space that places Chanel items alongside striking works of .
Materials for the pavilion include: a façade constructed from fibre re-inforced plastic, the roof PVC, ETFE roof lights, the primary structure was created from 74t steel and has over 1752.
An artisan at work in 19M, Chanel’s sprawling new structure on the edge of Paris. The glass, iron and concrete complex was designed by the French architect Rudy Ricciotti. Dmitry Kostyukov for. It takes but a glance to get the unmistakable allusion to high fashion: Angled panels of shimmery white marble, framed by blackened steel on the facade of Chanel in Istanbul, are the architectural equivalent of Coco Chanel’s white pleated blouses. One of Marino’s favorite buildings — on Bağdat Street in Istanbul — boasts a white, marble facade that echoes the pleated silk blouse Chanel wore at her first Communion.
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